March in Review: Much more reading, many more books. That’s more like it.

I had faith March wouldn’t let me down, unlike my crappy January and February. Lie: I had no such faith, but told myself things could hardly go further south. And there were no Olympics, no television distracting me. The TV reverted to its usual function: background noise for napping and covering the surface of my TV stand, while looking impressively large.

Size matters, friends.

Of course, March brings out my Irish. It’s also my birth month, meaning I have an excuse to binge buy books. This year, March threw in a nasty virus, gratis, getting me three days off work in which I was too sick even to read.

Still, I managed to fit in a few.

I’d hoped to take a short vacation in March. SPOILER: that didn’t happen. I was too ill, no desire to leave the warmth of my home and comfort of my sofa. It’s still cold here in Chicago. Distressingly so. On this April 1, it’s the coldest it’s been in years, hovering around freezing.

Will spring ever come. I’m beginning to wonder.

Books Read March 2018:
A Clockwork Orange by Anthony Burgess (for library classics book group)

I’ve been putting off reading this one since the upset wrought by the first few minutes of the Kubrick film. Not a fan of random violence and rape, I wrote this off as not for me.

It’s about a young man literally addicted to violence, the leader of a pack which wreaks nightly havoc on an English town. The first part was difficult to read, partly for the made-up language Burgess creates (which wore on me) and constant, gratuitous violence. The second part is much more interesting, once main character Alex is finally arrested for his crimes, and re-programmed, for lack of a better term.

The best thing I can say about ACO is I finished it. Not a fan.

Sing, Unburied, Sing by Jesmyn Ward (Women’s Prize for Fiction, longlist)

The lovely Jesmyn Ward has written another moving story set in Mississippi, this one about a family ripped apart by the slow death of the matriarch from cancer. Told from shifting perspectives, including that of the ghost of a young black boy lynched decades ago, it’s a short and rich novel.

It deserves to be shortlisted.

Ruby by Cynthia Bond

This one, good God. Absolute brilliance, beginning to end. It’s been a while since I’ve read a modern book I believe has the staying power to become a modern classic. Ruby is it and then some.

The story, the brilliant and sensuous language, the characterization and use of magical realism… It’s huge in scope, so difficult to summarize.

The title character is born a beautiful young girl, her life of poverty dooming her to prostitution starting from a very early age. Having escaped the South for a privileged life with a relative in New York City, upon the death of a woman she’d loved she makes the fatal mistake of returning home. Ruby loses her mind, becoming feral, as she’s again pulled back into sexual abuse and violence.

Love enters, and Ruby resists, unable to believe anyone could truly love such a damaged, broken woman.

I can’t recall the last time I finished a book and wanted to turn back around and re-read it immediately. If I weren’t engaged in other projects, I’d have done so.

See What I Have Done by Sarah Schmidt (Women’s Prize for Fiction, longlist)

Schmidt’s book is a novelization of the story of possible murderess Lizzie Borden, she of the axe murders of her father and step-mother.  Generally, I don’t care for historical fiction, but this was an exception. What bothers me about it is the inability to know what’s true and what’s imagination. I’d far rather read non-fiction, getting to the truth of the matter.

 

The Notorious LB

 

I enjoyed Schmidt’s approach, telling the story from different perspectives. And while the case remains unsolved, she lets the reader know what she believes truly happened. It’s what I’ve always believed, as well, minus a few suspicions on the details.

Though an enjoyable read, I’d be surprised if this one makes the shortlist.

The Mermaid and Mrs Hancock by Imogen Hermes Gowar (Women’s Prize for Fiction, longlist)

Merchant shipman Jonah Hancock, one of his ships lost on a voyage, is handed a small, shrivelled “mermaid” as recompense. His only choice to help re-coup some of his losses is to display it as a curiosity, in PT Barnum fashion.

In the course of its travels, it lands in an upper class whorehouse, at which Mr Hancock meets the lovely courtesan and former mistress of a nobleman: Angelica Neal. Struck by her beauty, he’s lost.

Later, in order to win her love, she demands he bring her another mermaid, this one genuine. Believing it impossible, she believes she’s seen the last of him. When her fortunes change, however, Mr Hancock becomes much more desirable.

Ultimately, the creature Mr Hancock presents her with induces a terrible melancholy on everyone associated with it, begging the question what is the price to be paid when you get everything you think you want.

Not a candidate to win the Women’s Prize by any means, it’s an overly long book I nearly gave up at the 3/4 point. It meanders, interesting lesser characters never fully fleshed out. I finished it to find out what happens, and because I’d ordered it from Ireland and paid enough in shipping I didn’t want that to be for naught.

 

Books Bought March 2018:

In addition to a couple from the Books Read in March list (See What I Have Done and The Mermaid and Mrs Hancock), there were these:

Happy by Nicola Barker (Women’s Prize for Fiction, longlist)

The Merry Spinster: Tales of Everyday Horror by Mallory Ortberg (for review)

And these:

And, for my birthday:

 

Nothing new read for the Muriel Spark project, unfortunately, but I’ll resume that in April. I thought I owned a copy of The Bachelors – next up chronologically – but can’t find it anywhere. Hesitant to buy more books after my slutty indulgence this month, I may have to skip over it for the next, bite the bullet and order it, then read it out of sequence.

I hate doing that, but needs must. One last search of my library, then I’ll do what must be done.

 

Such was my March. I’m happy with what I managed to read, definitely happy with the stream of new books. April needs to be a less expensive month. I went a little crazy, and need to re-coup. Still searching for that elusive sugar daddy to support my habit. Ah, but rare as mermaids are they.

April will hopefully herald spring, lifting my mood. I’d be lying if I said the first quarter of the year hasn’t brought me down. Still too early to plant flowers in the Chicago area – we’ve had frost as distressingly late as May, in years past – a warm-up, at the least, would be more than welcome. At least the days are lengthening, so there’s that. Sorry not to be more perky. I just don’t have it in me at the moment.

Spring’s hope’s eternal.

 

February in Review: A whole lotta nothing going on.

Month of Kahlua and cream

 

That deafening sound is the huge, sucking vortex that was my February. Where the ever-loving hell did it even go? It went to the Olympics and my new obsession with curling, I suppose. Figures, it’s a Scottish sport. I can’t get by a week without something Scottish grabbing my ankle, interrupting me, disrupting my attention.

I hate to say it, but mostly I frittered the month away. I didn’t finish one, single book this month. Not even The Ballad of Peckham Rye. I was, and am, at most 20 pages from the end, but have I turned that last page?

Why no. No, I haven’t.

I’ve re-engaged with it, though, started over and I’m enjoying it more – probably because I’m paying actual attention. It’s funny, quirky Muriel Spark, no trace of the nastiness of Memento Mori. Did I mention I didn’t like that book?

Because I really didn’t like that book.

Peckham Rye features a Scot who may or may not be the devil. On his head are the stumps of horns. He jokingly – or is it joking? – tells people he is the dark one. Is he? Give me 20 pages and I’ll tell you.

Oh, Jaysus. More Scots.

 

Books I Was Reading, but Did Not Finish, in February:

The Ballad of Peckham Rye by Muriel Spark

A Clockwork Orange by Anthony Burgess

Ruby by Cynthia Bond

Other stuff I touched but didn’t get far enough to include in the count.

 

New Books

Here’s one!

Previously unpublished NF by Hurston

 

Barracoon is about one of the last surviving slaves to cross the Atlantic, written by one of the greatest southern writers of all time: Zora Neale Hurston. I’m full to bursting thinking about it.

There’s more, but pacing. Pacing, as in they’re all over the house, and I’m sitting comfortably. Or, not so much comfortably, but settled. I’m old; it takes effort getting off the floor. Do you mind if I tell you later?

Thanks! Appreciated.

 

February was pretty much the month of who cares. The black dog came sniffing at my door, bringing a thing that’s very much occupying my mind. A thing I cannot control, which is usually where depression gets you. If it were something I could control, I’d have done something about it. As it is, my hands are tied.

I know, I know. It’s not fair teasing. Uncharacteristically, I’m not forthcoming. That tells you it’s something that really matters, that’s precariously perched.

Something I hope will resolve in my favor – for the best, rather.

 

Whitby Abbey, England – July 2017

 

The reading thing, though. That really bothers me. Reading is my refuge, and when I can’t retreat to that I go a bit crazy. Instead, I filled my time with volunteering (a good thing), TV (not great, but forgivable for the Olympics) and hanging framed photo prints on my walls. The majority are from the UK, but a couple from Paris and Brussels, even Niagara Falls, made the cut. I culled my hard drive.

I really did diddly squat in February.

 

Edinburgh Castle: painting effect

 

How can I turn all this around in March? Well, the days are lengthening. That helps the mood. The fire is rekindling, that’s crucial. The Olympics are over… no more curling. And, I’m again losing myself in books, if only for short spaces.

March will be better. Not perfect, but better. Three steps forward, 2.5 steps back. That’s still progress.

For one thing, I have five days off at the end of March, my birthday through April Fool’s Day, and oh my god that just occurred to me HOW IRONIC. I’m going somewhere, I just don’t know where. When I go, you’ll know. I’ll photograph the living hell out of it.

I will finish some Muriel Spark, A Clockwork Orange, Ruby and Barracoon. I’ll read more about Muriel Spark in the bio by Stannard, and finish or make peace parting with the stragglers. I’ll start outlining an Ian Rankin novel, which I mentioned months ago, to study its innards. Then, I’ll start planning the next crop.

I’ll volunteer, I’ll write, I’ll engage in activities that don’t involve TV.

So long, February. I can’t say I’ll miss you.

Welcome, March. I have a feeling you’ll bring much better things.

x

Okay, you have my full inattention.

I can hardly read. My focus just isn’t there.

True, I’ve been busy putting up with a series of minor health issues, but it isn’t just that. Most of it’s innocuous stuff; only one detail looms larger. It takes a lot of energy pretending that’s not so.

I’m not sleeping well. All day I’m yawning, chugging the coffee, pulling my own hair to keep myself awake. Yip, you read that right: Pulling my own hair.

The only way to break the cycle is to stay up, to force myself not to fall asleep before my head hits the pillow. That’s a lot tougher than it sounds. My sofa’s like a seductive siren. I hear it calling on the drive home…

SLEEEEP ON MEEEE… I’m so comfy! SLEEEEEEP ON MEEEEEEE……

Shut up, upholstered whore.

I unwind with the Olympics, rather than reading, because it takes no concentration watching pretty people twirling on ice. I’m on the last few pages of Spark’s The Ballad of Peckham Rye. I barely remember what I’ve already read. I’ll push to finish the last ten or fifteen  pages, but I’m going to have to turn right back around and at least skim back through the book. I don’t remember who all the characters are anymore.

This evening was the Great Books discussion of Jack London’s Martin Eden, the book I abandoned last week. As so often happens, after the discussion I second-guessed my original negative opinion. Turns out I missed the point. Who knew?

Part of the blame lies in reading it on my phone’s Kindle app. It’s okay in a pinch, but I really hate reading on such a small screen. I hate reading on a screen, period, but the book’s not that readily available, and I was in a hurry.

Funny, but the uber-romantic first third of Martin Eden, the part that put me off, wasn’t a problem for the men in the group. I was the only female that showed tonight, the only member who didn’t like it, and the one complaining loudest about the sappy plot.

Do I regret not finishing Martin Eden? Kind of. But then, I’m working very hard on finishing nothing lately. Give me points for consistency.

 

 

The next read for that group is A Clockwork Orange. The Kubrick adaptation put me off reading the book; I didn’t make it past the rape scene. I picked it up at Barnes & Noble, read the first few pages, and the book seems a lot different than the film, thank the gods.

 

In matters not-books, I have to give my daughter credit for a brilliant idea regarding journaling. She knows I’m having all kinds of problems keeping a personal journal. So, she suggested this:

 

1 – Buy a Page-a-Day calendar
2 – Jot down a few notes every day
3 – If you want to write more, have time and energy, expand in a proper journal
4 – Otherwise, what you have is better than nothing

 

Reader, it works! Vast, open spaces are intimidating right now, but page-a-day calendars are manageable.

See, I am managing something. My next goal: finding my attention span.

I can do this.

Wait… Do what?

Screw it. I’m heading for the sofa.