Women’s Prize for Fiction Longlist 2018: the Debut Novelists

I’m still pretty amazed finding six of the longlisted novels for the Women’s Prize for Fiction are debuts. Six of sixteen. That’s a big chunk, nearly half.

I can do math!

These women are incredible, each one. I may normally quibble and grumble about first-time novelists snagging such a prestigious longlist nomination, but after reading more about them I’m not just impressed, I hate my own guts.

What have I been doing? SPOILER: Sure as hell not translating my life and experiences into award-nominated books.

Elif Batuman (American)

The Idiot, Penguin


Elife Batuman, photo: The Irish Times


Elif Batuman has been a staff writer for The New Yorker roughly eight years. The author of The Possessed: Adventures with Russian Books and the People Who Read Them, she’s won the Whiting Writer’s Award, Rona Jaffe Foundation Award and Terry Southern Prize for Humor. Earning her PhD in comparative lit from Stanford, she’s your classic underachiever.

I really want to hate her. But then, I remember I’m the one who’s opted to sit on my ass watching bad reality television instead of, I don’t know, writing?

In college I was one of two students in a Russian literature course, taught by an actual Russian. Yes, an actual Russian! I know, right? Funny thing, because of the low interest, she’d only agree to teach if I’d run her home after the evening class. The buses stopped relatively early, and she didn’t drive. Funny, at the time I didn’t think much about it, but why did she even schedule that time at all, if this was the case? Took me long enough, didn’t it.

We read and watched the film of The Overcoat and several other short stories, and explored Crime and Punishment in-depth. Hell, there were only two of us. There was no excuse not to cover everything in-depth. Those once a week trips to her house, I don’t even recall what we talked about. Books, I would presume. It’s just a weird footnote in my life.

I love Russian literature, and love that Batuman pays it homage in the titles of her books. I bought a copy, and covet her first book on the topic of one of my favorite literary nationalities.

We know it’ll be on my shelves, eventually. I mean, please.

Imogen Hermes Gowar  (British)

The Mermaid and Mrs. Hancock, Harvill Secker


Imogen Hermes Gowar, photo: thetimes.co.uk


Now this woman, she really makes me realize how I’ve frittered my life. An archaeology, anthropology and art history scholar, her writing inspired by artefacts earned her the 2013 Malcolm Bradbury Memorial Scholarship funding an MA in Creative Writing.

Writing about artefacts, freaking genius. As a kid, one of the things I dreamed of was being an archaeologist. I was nuts about the Egyptians, the Romans, Druids…  When I had the chance to actually visit Europe, it filled my heart to bursting. I was that nerdy kid taking notes on the bus.

Picked as a ‘MOST ANTICIPATED BOOK OF 2018’ by Vogue, Sunday Times, Observer, The Times, Sunday Mirror, Daily Express, BBC Arts, Red Magazine, Stylist, The Pool, Emerald Street, Independent, The Herald, Irish Times, Irish Tatler, The Journal and Irish Independent. ‘A brilliantly plotted story of mermaids, madams and intrigue in 1780s London and I wouldn’t be surprised to see it become the Essex Serpent of 2018’ – The Pool ‘Imogen Hermes Gowar is a soon-to-be literary star’ – Sunday Times THIS VOYAGE IS SPECIAL. IT WILL CHANGE EVERYTHING.
  • Amazon.com


It never occurred to me to approach fiction from the angle of a single, historical object, and how I love that premise. I wasn’t going to buy this book. Now I don’t see how I cannot. It reminds me of the nonfiction book The Bronte Cabinet by Deborah Lutz, a book about eight objects owned by the siblings. An absolutely fascinating book, one I cannot recommend too highly.


Jessie Greengrass  (British)

Sight, Harvill Secker


Jessie Greengrass, photo: theshortstory.com


A student of philosophy at Cambridge and London, Jessie Greengrass’s first collection of short stories, An Account of the Decline of the Great Auk, According to One Who Saw It, won two prizes, including the Somerset Maugham. That is colossal.

Sight is narrated by a nameless young woman who, pregnant with her second child, meditates on her mother’s death and its aftermath, her relationship with her psychoanalyst grandmother, and how difficult it was to decide to have her first baby. The narrative brushes back and forth in time, bringing unexpected connections to the surface.


A book about familial relationships is a harder sell for me. I’m not generally a fan of this sort of novel. Might Sight be an exception? Possibly, and I certainly esteem the author’s credentials. It’s on the second string of Women’s Fiction titles I’m considering buying.

A few more reviews may sway me one way or the other.


Gail Honeyman  (British)

Eleanor Oliphant is Completely Fine, HarperCollins


Gail Honeyman, photo: amazon.co.uk


I wasn’t able to find as much about Gail Honeyman, aside from the fact she’s a graduate of both Edinburgh and Glasgow Universities. Perhaps I could dig a bit deeper, but despite her Costa win I’m a bit hesitant to spend a lot of time.

That sounds more rude than I mean it to be. A tremendously popular writer of a universally loved book, Gail Honeyman will have a legion of fans. I don’t mean to disparage, just use my time wisely.


“If someone asks you how you are, you are meant to say FINE. You are not meant to say that you cried yourself to sleep last night because you hadn’t spoken to another person for two consecutive days. FINE is what you say.”
  • Eleanor Oliphant is Completely Fine



I disliked this book. Rather, I disliked the second half, after main character Eleanor made her about-face. I don’t like treacle-y endings. The first part  was so well-written. It had all the elements of a superbly dark story, then sold out. The first and last halves could have been from completely different books. It jarred, ending on an almost Bridget Jones note.

I half wonder if she didn’t originally write a much different book, but some misguided editor put it in her mind that it would sell better if it ended happily. She’s tremendously talented; the first half had me riveted. By the end, I was angry I’d wasted time on it.

No figs are given for popular opinion on Bluestalking. Moving on.


Fiona Mozley (British)

Elmet, Algonquin


Fiona Mozley, photo: thenational.ae


An employee in a bookshop, Fiona Mozley may be even more mysterious than Gail Honeyman. I found this on her website, and precious little else:


I grew up in York and later lived in London, Cambridge and Buenos Aires. I am now back in York, where I am writing a PhD thesis on the concept of decay in the later Middle Ages, as well as writing fiction.
I work part-time at The Little Apple Bookshop.



Little Apple Bookshop


An unassuming biography for a 29-year old woman who’s written a book both Booker shortlisted and on this longlist. A brilliant book, at that. I’ll let my review say the rest, but thus far it’s a favorite for the prize.


Sarah Schmidt (Australian)



See What I Have Done, Atlantic Monthly


Sarah Schmidt, photo: pinterest.co.uk


Sarah Schmidt is a reading and literacy librarian residing in Melbourne. She holds a B.A. in professional writing and editing, as well as an M.A. in creative writing. She’s also a history buff, judging from her dogged pursuit of all things Lizzie Borden, and resulting novel getting rave reviews.


On the morning of August 4, 1892, Lizzie Borden calls out to her maid: Someone’s killed Father. The brutal ax-murder of Andrew and Abby Borden in their home in Fall River, Massachusetts, leaves little evidence and many unanswered questions. While neighbors struggle to understand why anyone would want to harm the respected Bordens, those close to the family have a different tale to tell―of a father with an explosive temper; a spiteful stepmother; and two spinster sisters, with a bond even stronger than blood, desperate for their independence.
  • Amazon.com


I have this book on order, expecting its arrival within the next week or two. I ordered a used copy to save a few dollars, considering the considerable expenditure involved in buying so dratted many books at once.

I, too, find the Lizzie Borden case transfixing, and can’t imagine there was no child abuse involved. My own theory, aided by all but zero research but empathy based on my childhood experience, is she one day snapped under the strain. The rest is morbid history.

Can’t wait to get my hands on this one.


Will one of these first-timers beat out the rest for a Women’s Prize for Fiction win? I have to tell you, from the bit of investigation I’ve done I wouldn’t be shocked. I plan to take a closer look at the other writers; I just wanted a special post devoted to the relative newbies.

But what a crop of newbies.



Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s